REBEL :: GARY LOCKWOOD ONLINE

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Welcome to REBEL :: GARY LOCKWOOD ONLINE

Welcome to REBEL :: GARY LOCKWOOD ONLINE a haven for fans of actor and producer Gary Lockwood. Best known for his roles as Dr. Frank Poole in the Stanley Kubrick classic science fiction masterpiece 2001: A Space Odyssey, Gary also guest starred in the second of two pilots for the classic series Star Trek as Lt. Cmdr Gary Mitchell of the USS Enterprise. Gary also played "Toots" in Splendor In The Grass, and many other films and guest starring roles in various episodic television series. If you're a fan of Gary's please consider coming back often to see any updates to the site.

                    

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This video is from back in 2014, but Gary and Keir Dullea (Dave Bowman) talk to IGN about the reasons 2001: A SPACE ODYSSEY is the most important SciFi film of all time. I’d have to say I agree with eveything they say. It still galls me how everyone keeps saying the most important film was George Lucas’ 1977 Star Wars. It wasn’t. Star Wars always has been more of an adventure film, while it has science fiction elements to it, it is still largely based on the Saturday morning serials that touches tangentially on the Joseph Campbell mythos of A Hero With A Thousand Faces. But if we judge which film had the most impact on the science fiction genre on a whole, 2001: A SPACE ODYSSEY is by far THE most important film bar none.


Along with the event images post before this one, I’ve added a new scan for the press section. This time it’s from the Australasia July 2016 edition of Empire magazine. Here they name their 50 greatest Sci-Fi moments. They chose as the number one greatest the HAL-9000 disconnection scene from 2001: A SPACE ODYSSEY. I’d have to say I completely agree with them. Their top ten was pretty impressive including the chestburster scene from Alien where Kane (John Hurt) gave bith, the Roy Batty (Rutger Hauer) dying scene from Blade Runner, both films directed by Ridley Scott. Number 5 was the final scene at the end of Franklin J. Schaffner’s Planet of the Apes where George Taylor (Charleton Heston) and Nova (Linda Harrison) find the ruined Statue of Liberty on the beach. They also named the Ellen Ripley (Sigourney Weaver) “Get away from her you bitch!” scene from James Cameron’s Aliens. Considering how great 2001: A SPACE ODYSSEY is as a whole, I’m pretty impressed they chose the disconnection scene considering the stargate sequence, as well as the Dawn of Man opening and it’s iconic moment of the three million year jumpcut from the bone to the weapons platform. I’m including the write up in this post, but to see the scans, please click on any of the links below.

  • [003] SCANS: JULY 2016 – AUSTRALASIA EDITION EMPIRE MAGAZINE

  

HAL SHUTS DOWN 2001: A SPACE ODYSSEY (1968)

There have been many other scary movie supercomputers: in 1965, just three years before Stanley Kubrick’s 2001: A Space Odyssey, Jean-Luc Godard’s Alphaville saw the titular city ruled by a data-bastard called Alpha 60. But none have ever been able to upgrade to the heights of the psychotic HAL 9000. There’s his eerie lone red peeper, staring out like a robotic version of the Eye of Sauron. There’s his mellow but menacing voice, provided by Canadian actor Douglas Rain. And then there’s his unforgettable demise, as astronaut David Bowman (Keir Dullea) races to shut him down after he’s pressed “Power Off” on his human shipmate. It could have played out as an action scene, with HAL issuing dark threats and hurling obstacles. Instead, there’s a strange poignancy as he suffers the computer equivalent of a mental breakdown. “I’m afraid, Dave… Dave, my mind is going… I can feel it… I can feel it… My mind is going,” he monotones, pitifully, voice slowing like a pitched-down 12-inch. Then he sings a song: Daisy Bell, the 19th-century children’s rhyme IBM selected for one of its computers to croon as a demonstration in 1961. Set to a background of hissing oxygen, it’s a raw, intimate and surprisingly emotional moment. Not bad for a scene involving a box talking to a man in a helmet. It’s easy to imagine that when the machines fi nally take over Earth for real, this will be their go-to weepie.